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Milo Ben-Amotz

Milo Ben-Amotz

Podcast Producer, Composer, and Audio Engineer at Freelance

Los Angeles, United States

Verified Email Address

m•••••@gmail.com

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Independent podcast and audio production practice

About Freelance

Milo Ben-Amotz is a Los Angeles-based composer, podcast producer, and audio engineer working across podcast development, commercial scoring, and music production. His site cites podcast work for OTHERtone, Dwight Howard, Adam Conover, and Headgum, plus audio projects for ESPN, TikTok, Comedy Central, and Netflix. milobenamotz.com

What they do

Ben-Amotz develops and produces podcasts from creative development through post-production, composes original music and scores for commercial and video projects, and provides audio editing, mixing, and mastering. His portfolio includes an ESPN+ trailer score, a Producers Guild Awards video score, post-production for a TikTok campaign, and music production for 645AR. milobenamotz.com

Who they serve

His publicly listed work spans media companies, podcast networks, entertainers, brands, advertising campaigns, and recording artists. The site names OTHERtone, Headgum, ESPN, TikTok, Comedy Central, Netflix, Republic Records, Interscope, and Columbia among its clients, collaborators, or related project credits. milobenamotz.com

Recent signals

  • The current website describes Ben-Amotz as a Los Angeles-based composer, podcast producer, and audio engineer and lists podcast production, commercial scoring, and mixing and mastering as services. milobenamotz.com
  • The portfolio highlights an original score for the ESPN+ Declared series trailer and a score for a Producers Guild Awards video. milobenamotz.com
  • The portfolio documents audio editing, mixing, and mastering for TikTok’s AAPI Heritage Month campaign, described as a series of 10 videos. milobenamotz.com
  • The site currently identifies podcast development and production credits connected to OTHERtone, Dwight Howard, Adam Conover, and Headgum. milobenamotz.com

Reasons to get in touch

  • Podcast business models and audience monetization could be relevant because his work covers both show development and post-production for creators and networks including OTHERtone, Adam Conover, and Headgum. milobenamotz.com
  • Workflow and rights-management resources for branded audio may be useful given his work on ESPN+, TikTok, and commercial scoring projects. milobenamotz.com
  • Artist-services or catalog-management guidance could relate to his production, mixing, and mastering credits involving artists signed to Republic Records, Interscope, and Columbia. milobenamotz.com

Questions worth asking them

  • When you develop a podcast from concept through post-production, which stage tends to create the biggest bottleneck?
  • How do you approach balancing original scoring with post-production audio when a project combines podcast, video, and branded content?
  • Are your current projects weighted more toward podcast production, commercial scoring, or music production?

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