Ryan Walsh Music | Audio Engineer and Producer

Independent audio engineer and producer in Los Angeles

About Independent / Ryan Walsh Music

Ryan Walsh is an independent Los Angeles-based senior audio engineer and producer working primarily in narrative audio and podcast production. Public credits include audio engineering and additional editing on QCODE’s Borrasca, editing on The Left Right Game, and sound design and mixing on Last Resort as identified in his public professional profile. linkedin.com

What they do

Walsh provides audio-production work for scripted podcasts and audio fiction, including sound design, mixing, audio engineering, editing, and production support. He was part of the team that won the Ambies’ 2021 award for Best Production and Sound Design for The Left Right Game. ambies.com

Who they serve

His publicly documented work serves podcast networks, audio-fiction creators, and production companies developing scripted narrative series. Credits connect him with QCODE productions including The Left Right Game and Borrasca, as well as the 2025 Tribeca-selected audio project Last Resort. ([podcasts.apple.com](https://podcasts.apple.com/us/podcast/building-the-sound-world-of-the-left-right-game/id[contact hidden]?i=[contact hidden]&utm_source=openai))

Recent signals

The Left Right Game team, including Ryan Walsh, won the 2021 Ambies award for Best Production and Sound Design. ambies.com
QCODE transcripts credit Ryan Walsh with audio engineering and additional editing on Borrasca. qcodemedia.com
Walsh’s public professional profile identifies Last Resort as a project he sound-designed and mixed; the project was an official selection of the 2025 Tribeca Festival. tribecafilm.com
The current Ryan Walsh Music website describes a music-performance project focused on nostalgic covers, including Yacht Rock. ryanwalshmusic.com

Reasons to get in touch

The Ambies-recognized production of The Left Right Game creates a relevant basis for discussing award-level sound design, editing, and immersive audio workflows. ambies.com
Walsh’s audio-engineering and additional-editing credits on Borrasca could make developments in scripted-podcast post-production or collaborative editing workflows relevant. qcodemedia.com
His public profile identifies sound design and mixing work on Last Resort, a 2025 Tribeca-selected audio project, creating a basis for discussing festival-oriented narrative audio production. tribecafilm.com
The Ryan Walsh Music website also presents a separate music-performance identity centered on nostalgic songs and Yacht Rock, making the relationship between live music and audio-production work worth understanding. ryanwalshmusic.com

Questions worth asking them

How did your responsibilities differ between editing The Left Right Game and audio engineering on Borrasca?
What production or mixing choices were most important to the sound of Last Resort?
How does the Ryan Walsh Music performance work relate to your podcast and narrative-audio production?